| resume in PDF format | |
| CHARLIE KIRBY EDITOR / ASSISTANT EDITOR bahaionicman@yahoo.com |
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| DOWNLOADED ASSISTANT EDITOR 2011 – 2012 VH1 rockDocs Feature film documentary about Napster. I have been in charge of designing file and tape based workflows from day one on this project. We have hundreds of hours of archival footage, and current interviews shot with two Canon 5D and one GoPro camera. I sync sound, group multi-cam clips, pull selects, create string outs. Color corrected promo that was screened at SXSW Film Festival. Avid Media Composer. Writer/Director: Alex Winter Downloaded The Movie RISING: REBUILDING GROUND ZERO ASSISTANT EDITOR (ONLINE) 2011 KPI, Steven Spielberg (executive producer), DreamWorks Television, Discovery Channel The Rising WORLD CITIZEN PRODUCTIONS ADDITIONAL EDITOR 2010 – 2011 A smart, informative, cutting-edge travel show with in depth narrative and an urban soundtrack. • Rough cuts of basic story structures • File based workflows and media management of various HD formats • Color correction, Audio mixing, Multi-camera grouping, Encoding for web THIRTEEN / WNET ASSISTANT EDITOR/JUNIOR EDITOR 2007 – 2010 • American Masters, Patti Smith Dream of Life by Steven Sebring, Nature, Cyberchase, Wide Angle, Secrets of the Dead, Great Performances, Religion & Ethics Newsweekly, Exposé, HD On Air Promos. • Avid, Final Cut Pro, Avid Symphony, DS Nitris • Assembled rough cuts from scripts • File-based workflows (P2, XD CAM) • Multi-camera • Digitized from and output to HD and SD tape • Imported graphics, AAF’s, audio files • Exported OMF’s for audio mixing sessions • Exported clips to graphic files (tiff, targa) for graphic design delivery • Uprezzing offline projects to online THIRTEEN / WNET POST PRODUCTION TECHNICAL SUPPORT 2008 – 2010 • Trained several dozen new users in Final Cut Pro, Avid and Photoshop • Media management (Final Cut Pro and Avid) • Technical support for over fifty editing workstations (Avid, Final Cut, Symphony, DS Nitris, Mac, PC). Trouble shot whether problems were software, hardware, patching, routing, drive bay, server, tape machine or human error. • Tech evaluated Avid and FCP workstation and hardware for play out to tape and air (Bill Moyers Journal, NOW, Sunday Arts), routing, patch bay, video scopes, audio mixer, HD and SD decks. • Automatic Duck migration of projects from Avid to FCP; and from FCP to AvidVOOM HD / RAINBOW MEDIA ASSISTANT EDITOR 2007 • Gallery (Miami Fashion, Haute Couture, Robert Wilson); Treasure (Chocolate) • Digitized HD footage into editing system. Organized clips and bins. Imported graphics and audio. • Rough cuts, string outs.DUART FILM AND VIDEO ASSISTANT EDITOR, WEB ENCODER, DIGITAL RESTORATION ARTIST 2004 – 2006 • Avid Symphony, Avid Media Composer, Final Cut Pro, DS Nitris • Pulling selects, string outs, rough cuts • Imported graphics, AAF’s, audio files • Exported OMF’s for audio mixing sessions • Setting up tape decks for input/output and film transfer (all HD & SD formats), dubs, conversions • Web encoding, FTP • Digital restoration w/ MTI • Tape to tape dubbing, DVD duplication, posting video to web THE LEARNING CHANNEL BRAVO TV/SCOUT PRODUCTIONS EDUCATION SCHOOL OF VISUAL ARTS, New York City NEW SCHOOL UNIVERSITY, New York City SEATTLE FILM INSTITUTE, Seattle, WA |
SOFTWARE EDITING: Avid Final Cut Pro DS Nitris Symphony GRAPHICS: After Effects Motion Color Photoshop Image Ready ENCODING: Compressor MPEG Streamclip Digital Rapids Stream Episode Pro RESTORATION: MTI Correct DaVinci Revival WEB: Word Press HTML Adobe GoLive AUDIO: Logic PLATFORMS: Mac OS X Windows MISCELLANEOUS: Automatic Duck |