I just realized something very important. Kombucha has electrolytes. Electrolytes are what plants crave!
Friends and I, after the 3 1/2 hour Dweezil Zappa show at the Wellmont Theatre. Good times!!!
Here is an abbreviated set list. There were instrumentals that I didn’t catch the names of, so they are not written in this poorly spelled document.
Flakes
Baby snakes
Zombie woof
call any vegetable
50 50
Absolutely free
Dog breath
Cosmic debris
Sleeping in a jar
Sleep dirt
Black napkins
Dirty Love
Keel it greasy
Cheepnis
Trouble every day
Cleetus awrutis awrightus
Pound for a brown on the bus
The Meek shall inherit nuthin’
Muffin man
Whatever this movement is, I want to join it!
Great vid on ND (neutral density) filters and why you should use them for outdoor videography.
Why THESE can save your footage! – Peter McKinnon
“These are a MUST have when shooting VIDEO outdoors! Today’s two minute Tuesday covers ND filters, in 2 MINUTES!”
January 31st 2018. I finally finished eating all of the Christmas leftovers that my family gave me.
One of my editor friends asked me if audio doesn’t record in a frame rate, then why must we select a frame rate in Avid, while importing it. I think that’s a great question! Here’s my take on it.
Video is recorded in frames per second, because a shutter actually opens and closes. On the other hand, when audio is recorded, it does not start, stop, start, stop, 24 times per second; however it recorded continuously. Audio frequency is recorded in a sample rate measured in kilo hertz for both analog and digital audio. This sample rate is usually 44.1 kHz or 48 kHz.
Regarding depth, digital audio depth is measured in bits. More bits = more information = more depth.
When you import audio into Avid, and it asks you what frame rate to bring it in as, that frame rate is really just an interpretation. This is because we need to edit video in frames per second. To edit the audio along with that video, Avid must translate the audio to frames per second. When editing audio in a DAW like Logic or Ableton, there are no frames. It’s just pure waveform put over a grid with a musical time signature like 4/4, and if you zoom in the timeline, you can see subdivisions like quarter notes, eighth notes, sixteenth notes. When editing audio in Avid or ProTools, we are also really looking at pure waveforms, but the audio is inside of a grid that we don’t see. That grid is frames per second.
Does that make sense? It might not now, but think on it for a bit, and it will click on inside of your mind! It took me a moment or two to get it. 🙂
This tweet is for people who are reading Twitter and Facebook, 30,000 years in the future. Happy 32018!
It’s so cold outside that even my neighbors snowman wants to wear a coat!
364 shopping days until Christmas!